Showing posts with label event. Show all posts
Showing posts with label event. Show all posts

1.9.19

Gleniffer quilts - a cover for the bed and a landscape cover

Sandy Corry quilt
Another Gleniffer Quilt and Craft Fair took place in Gleniffer Hall. A large array of quilts was on display. The star of the show was the 'quilting queen' wearing her diamond tiara and demonstrating her 'doodling' on the sewing machine. Sandy Corry's work has a very haptic quality. Here are some of her pieces:
Click to enlarge pictures

Meat on the BBQ and the car park was full. Years ago the non-quilting crafts had a greater representation. A gang of unregistered trail-bikes demanded attention and disrupted the peace, as it is common in this area.

S.Corry quilt

The landscape cover setting
The Never Never Creek flows behind the Gleniffer Hall and a very small church. The gardens of the buildings 'reject the local environment' like most Australian gardens do. Lichen covered fences frame foreign grasses, known as lawns. A patchwork of Chinese camellia plants were planted in all colours from pink to red. The Japanese azaleas keep to this popular colour scheme too, a comforter landscape. An agave from central Mexico is tended to in a flower pot.


Outside the 'cage', trees drip with epiphytes. Tongue orchids (Dockrillia linguiformis) crawl along branches and pencil orchids (Dendrobium schoeninum) fall like stiff sticks from the tree. Shade!

Nearby stands a very large and lonely red cedar (Toona ciliata). A host for aerophytes and fauna. Did the cedar industry overlook this 'red gold'? Soon after European arrival the cedar forests lining all major rivers were eliminated by an extractive colonial industry. Cedar getter gangs stripped their way from Sydney through all rivers, right up to Queensland.
"An entire species of tree was just about wiped out on the NSW coast during the first 100 years of settlement." (source
The cutters would float the 'filet' pieces down the rivers to go to merchants in Sydney or England. The indiscriminate removal of the timber made way for the settlers/ pastoralists.


Most texts (pdf) of the 'In Search of Red Gold' stress the pioneering spirit of the frontier mentality in a people-free El Dorado. The First Nation Peoples, in this case the Gumbaynggirr of the Billengen River are invisible in the narratives.

29.8.15

The Gleniffer Quilt and Craft Fair 2015

"Nature uses only the longest threads to weave her patterns, so that each small piece of her fabric reveals the organization of the entire tapestry.” Richard Feynman

The Quilt and Craft Fair was on again in the Gleniffer community Hall near the Never Never River. Here are some impressions of the works:

Click images to enlarge

Images:
Crochet west, via Dorrigo?
Lichen (Usnea sp.) on fence post near the Never Never River
Detail of quilt: Redback spider
Rug with circular design
Rug from the recycled seams of jeans
Detail of Rug from the seams of jeans
Rug from rags
Detail from floral/geometric quilt
Detail of quilt: Dingo and black swans
Detail of quilt: Emu
Gleniffer Church window with a hint of Toona ciliata


The Gleniffer Quilt and Craft Fair 2013

31.8.14

Coffs Harbour: A place for whales and birds?


Coffs Harbour has been put on the map for watching whales and birds. Between June and November migrating humpback whales can be watched. The Solitary Islands Marine Park provides a refuge for them and many other marine species.

Also in August thousands of wedge-tailed shearwaters travel thousands of kilometres each year to return to the same burrows on Muttonbird Island Nature Reserve. It is the only easily-accessible place in NSW where the migratory wedge-tailed shearwaters nest.

Just when these migratory species dwell in the region, fossil fuel enthusiasts and the associated industries stage a 1000-horsepower speed boats race in the privatised 'natural amphitheatre' of Coffs Harbour. Rockets 'get airborne' and therefore are not supposed to shred any marine mammals. Sea creatures will simply get replaced by 'high horsepower marine monsters'. Local businesses are waving shopping bags and put up dysfunctional 'fairy lights' in trees to 'draw the crowds' to a run-of-the-mill town.

In a 100 % automobile dependent society with few footpaths and hardly any bike paths petrol runs in the veins of the population. Daily and recreational racing kill the dullness of a marginal existence. 'Boys with toys' are good consumers. They race the atmosphere-polluting machines on the Pacific Ocean and in the scenic hinterland of Coffs Harbour.


Having just thrown billions at the Pacific Highway one could have at least used this purpose-built road which is hacking its way through numerous wildlife habitats as a human-made race course 'amphitheatre'. Just privatise the space and let the benefiting industries pay for the usage. At the moment billboards along the highway appeal to motorists to reduce speed while the next billboards advertise car racing.

Staging such polluting and noisy events discourages visitors to come to the area for its natural aspects. Locals are deprived of a livable place and might move on or avoid shops sponsoring combustion festivals. It is the rapid conversion of a 'special place' to a non-place.

But in the country one just tolerates things ...


See also
Celebrating Fossil Fuel Culture on Forest Roads

Convention on the Conservation of Migratory Species of Wild Animals

21.10.13

The Armed Man - Thoughts on War

The Concert:
Karl Jenkins: The Armed Man (‘Mass for Peace’) The anti-war piece was performed by the North Coast Performing Arts Orchestra and Choir for the UN International Day of Peace. The event took place in the Bellingen Soldiers' Memorial hall.


Thoughts on War:
Intense warfare is the evolutionary driver of large complex populations. Primate and ant societies pursue war to defend their turf or invade others for resources. Settler culture and rapid reproduction leads to an overflow of the 'petri dish'. The early enthusiasm for endless growth and expansion brought about a way of life of  'Go forth, multiply, fill the Earth, subdue and vandalise the Garden'. The logic of expansionism led man to the "The brutal destruction of 'creation'." H. Blumenberg

The uncanny hubris
of 'creation's crowning glory' promising to achieve paradise on Earth now might have as an outcome the creation of hell on a once habitable planet. (Anthropocene, CO2)

'The pride of creation' usurped the place of the many Earth gods, which they later rationalised into monotheism before upstaging 'the only one'. Heads of hierarchical societies grounded their existence with recourse to God - the sovereign's ownership of the land.

Techné
Controlled fire use by early humans and tool manufacturing enabled a civilisation of ever-refined means of destruction. Warfare conducted throughout human history has refined the means of killing and formed society.
The perpetual peace of “citizens of the Earth” (Erdbürger) had no chance against the perpetual war of defending the home soil from the other, or the land grab 'over there'. The state of war of all against all' in a 'free market' and the invisible fist of the market place became the new state of nature.


Sovereignty declares a 'state of exception' (G.Agamben) with a tendency to generalize of the exceptional state. This is a powerful strategy for legalised lawlessness,  suspension of the juridical order. Undeclared wars rage and no one can any longer say "we didn't know".

Framing of War
War is "framed" in the media so as to prevent us from recognising the people who are to be killed as living fully "grievable" lives, like ours. "Collateral damage" is not part of the war game.

Spectacles of Blood
"Roman gladiatorial shows were not put on for the purposes of indulging violence, bloodlust and cruelty, even if they may seem that way today. Instead, they were put on for several important purposes including social control and education". Today's media frames the robot wars 'over there'. Decisions are outsourced to machines. The masses consume the spectacle at a safe distance on screens. The spectacle, a social relation between people that is mediated by images is a self-fulfilling control mechanism for society.
 
A society modelled on war.
The 'war model' of the modern city and of human catastrophic society is elaborated in Virilio's  'dromology'.  "The expansive project of modernity has reached its limit in the light speed colonization of terrestrial time and space by technology and media"


A permanent war economy merged with Disaster Capitalism (Naomi Klein) further accelerates and exacerbates the catastrophic nature of modernity. Disasters (economic, political, military or natural) are good for profits - they reboot the system.  "Creative destruction, interventions and economic reconstruction mobilise resources for some. Margins are the largest outside the system of civil society. All is frontier with the loot going to the 'highest bidder'. There is no longer a safe place - anywhere!


Discipline techniques
Disciplinary or managerial techniques are initiated and developed into a technology for the control of individuals. (Michel Foucault) "'Discipline' may be identified neither with an institution nor with an apparatus; it is a type of power, a modality for its exercise, comprising a whole set of instruments, techniques, procedures, levels of application, targets; it is a 'physics' or an 'anatomy' of power, a technology." Psycho-orthopedics and pharmaceuticals also aid in the pathology of normality.

Ordinary people engage in "the banality of evil." (Hannah Arendt). Genocides continue and we are running amok causing "the earth’s sixth mass extinction event, through such anthropogenic impacts as habitat loss and modification, the spread of invasive species and climate change" Is omnicide the goal? Modernity as a system of efficiency, beyond ethics, mobilises all in the war against nature.

The driverless and shipwrecked ship of fools cruises (kyvernó̱:  steers, navigates) into the anthropocene, with no goal other than cruising the ocean of 'business as usual': more growth on an infinite planet, holding tight to the rudder of pathological denial. 

Armed man is a tautology inhabiting the machinery of war.


Texts:
Agamben, GiorgioState of Exception. Translated by Kevin Attell. Chicago: University of Chicago Press, 2005, excerpt, Video, European Graduate School. 2003, starts at 2.29 min.
Gilles Deleuze and Félix Guattari, A Thousand Plateaus:, 1980/ Nomadology: The War Machine (New York: Semiotext(e), 19
Subtopia, A field guide to military urbanism
Aeschylus, The Persians 

Images:
1.  Blake, William Blake, The Ghost of a Flea, 1819–1820  
2.  Arcimboldo, Giuseppe, Fire 1566
3.  Goya, Francisco, The Disasters of War  (Désastres de la Guerra), 1815–1820
4.  Bosch, Hieronymus, detail of Haywain Triptych, 1516

14.9.13

The Gleniffer Quilt and Craft Fair

Quilting, beading, fabric dying and rug making in the Gleniffer Hall
For 2015 see here