Some readings about the latest Western the entertainment industry has to offer: Killers of The Flower Moon, Martin Scorsese.
The western genre convention usually depicts the 'unbounded freedom' of the individual, the 'Lone Cow-boy' trope on horseback set in a 'wide and open spaces' narrative. The 'hero' operates outside the law on Indigenous landscapes and in frontier towns.
"Unlike
the visions of unbounded freedom found in traditional westerns,
Martin Scorsese’s new film is a study of a West bounded by the
vertical geometry of oil rigs and the violent conspiracies of
powerful men.” (source)
It
is an “epic about the bloody birth of modern America... An epic
of creeping, existential horror about the birth of the American
century, a macabre tale of quasi-genocidal serial killings" (source)
The
film is “an epic story of greed and betrayal in its examination of
Osage life in Oklahoma circa 1920, and the mass murders of the
Indigenous community at the hands of their white neighbors.” (source)
Leonardo
DiCaprio: “It's still happening...The more work that I've done,
certainly in the environmental space, you realise the systematic
persecution of Indigenous cultures all throughout the world...It's
happening all over the world, in Australia. It's happening in Africa,
it's happening in South America...And I keep saying this quote over
and over again, those places that are most rich in resources are
those that are often most drenched in blood." (source)
The
BBC mentions that the zeitgeist how Indigenous peoples are
treated might be changing in the 21st Century: "The
film is making a strong statement that it's no longer acceptable to
extract valuable assets from Indigenous communities without our
consent and input.” (source)
Interesting times when Hollywood actors and their products problematise past massacres of settler colonialism and present day injustices against Indigenous peoples.
As Patrick Wolfe said: Settler colonialism is a “structure not an event” (source)
Update:
Revealing reading regarding mineral and petroleum royalties: For the Osage Nation, the betrayal of the murders depicted in ‘Killers of the Flower Moon’ still lingers, Conservation
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